THE 19TH CENTURY UNDERWORLD: CRIME, CONTROVERSY & CORRUPTION
By Stephen Carver
Pen & Sword Books. 209 pages. £12.99. ISBN 978-1-52675-167-6
Reviewed by Jim Burns
In many ways it’s difficult to generalise about a whole century. The
nineteenth encompassed a wide range of social, political, moral and
other concerns, not to mention all kinds of technical advances and
changes in the structure of society. But there may be some
discernible variations in how people behaved at certain times. It
seems to be an accepted belief that the early part of the nineteenth
century was marked by excesses in behaviour, at least among certain
groups (and even then perhaps among only certain individuals in
those groups), whereas later standards were set higher and a wider
sense of propriety came into effect. I’m not convinced that this was
the case. There have been numerous studies of the Victorian period
which have shown that underneath a supposedly polite and polished
surface there was a bubbling sewer of crime, sexual deviancy, and
social disorder. It may have expressed itself in somewhat different
ways to the Regency period, but it was still there.
Stephen Carver doesn’t attempt to survey every aspect of human
activity in the nineteenth century, but rather chooses to focus on
specific elements of it. One of his early chapters, “A Corinthian’s
Guide to the Metropolis”, looks at the life and adventures of Pierce
Egan, author of Life in
London or the Day and Night Scenes of Jerry Hawthorn Esq., and his
elegant friend Corinthian Tom in their Rambles and Sprees through
the Metropolis, originally published in 1821. Popular in its
day, and still seeing occasional revivals of one sort or another (it
works well on the radio), it manipulated the reading public’s taste
for accounts of low-life and particularly the slang that denizens of
the “underworld” employed. It also, Carver suggests, put forward the
view that the “underclass of society has all the fun”. It wasn’t
true, of course, but it may have touched on the lurking suspicion
that many people had (still have?) that their own lives lacked
colour and adventure, and were consequently dull.
Egan, whose early career is described as that of “a jobbing hack in
the age of Austen, unconnected with fashionable society”, achieved
some recognition in certain circles with his book,
Boxiana, which purported
to provide a mini-history of boxing. It was a brutal sport when Egan
was writing about it, fought bare-knuckle style and with no limit to
the number of rounds. The bout usually ended when one of the
opponents was physically unable to carry on. Boxers died or were
badly injured, but crowds gathered at venues where fights were about
to take place, despite it often being illegal to do so. I would
guess that Boxiana is
rarely read these days apart from by historians of the sport.
Egan wasn’t the only writer to play around with the jargon and
mischief of the underworld. Harrison Ainsworth, a hugely popular
novelist in his day, though few of his books are remembered now, and
Edward Bulwer-Lytton, also ventured into this territory. What
Ainsworth did was to almost glamorise criminals like Jack Sheppard
and Dick Turpin, whose actual personalities and exploits were really
far less convincing than the fictional accounts implied. Things
probably haven’t changed all that much when one thinks of the ways
in which
With the growth of newspapers and magazines aiming at a
newly-developing audience of working-class readers, real crimes
could be reported almost as soon as they happened. Murder became a
standard item. Carver chooses a few juicy items to investigate,
including, perhaps inevitably, the murders attributed to Jack the
Ripper. In its way, the Ripper “Autumn of terror” is more
interesting than an account of a brutal killing as part of a
robbery, or a poisoning for financial gain. It can be used to focus
attention on the social problems encountered in Whitechapel. Poor
housing, homelessness, unemployment and low-paid jobs when work was
available, drunkenness, prostitution. The Ripper’s victims, and
others who weren’t killed by him but died in similar circumstances,
were women who had been driven to selling their bodies because of
the need to find enough money to pay for cheap lodgings, food, and
the alcohol they wanted to numb their senses to the awfulness of
their situations. Diseases including syphilis, were rife, and easily
spread.
Sex we are often told was a taboo subject in polite Victorian
society, but it was present in many forms, including pornography in
which there was a thriving trade. Under-the-counter publications
catered for most tastes, with a particular demand existing for tales
of flagellation, something often referred to as “the English vice”.
Titles like The Whippingham
Papers left no-one in any doubt as to what they were about. An
intriguing aspect of nineteenth century pornography is that some
quite well-known authors, writing under pseudonyms, produced work
that could only be sold clandestinely. The poet, Algernon Charles
Swinburne, is said to have written various pornographic works.
Carver says that Dickens’ friend, the well-known journalist, George
Augustus Henry Sale, co-authored
The Mysteries of Verbena
House, or, Miss Bellasis Birched for Thieving, “an erotic novel
set in a girls’ school”. Carver also points to
Teleny, a novel which
throws some light on the gay underworld of
The publishers who risked prosecution for bringing out pornography,
and the booksellers who peddled it, were often curious characters.
Leonard Smithers backed a literary magazine called
The Savoy, which printed
work by writers (Ernest Dowson, John Gray, Lionel Johnson, Arthur
Symons) associated with the so-called Decadent Movement of the
1890s, but he also did a steady trade in risqué material. John
Camden Hotton, a “publisher and lexicographer”, was reputed to have
written “a comic opera called
Lady Bumtickler’s Revels”, though I can’t imagine that it ever
had any public performances. And there was William Dugdale, “eldest
son of a Quaker tailor from Stockport”, who published books with
titles which, Carver says, “speak for themselves”:
Intrigues in a Boarding
School, The Confessions of a Lady’s Maid, The Confessions of a Young
Lady, and The Wedding
Night. Books like these didn’t come cheap, and were often
printed in limited editions, so circulation must have been limited
to a mainly middle and upper-class readership.
One of the dark sides of the Victorian sexual underworld was the use
of children, both boys and girls, to satisfy the cravings of sexual
predators, and a famous court case highlighted it. The journalist
and editor of the Pall Mall
Gazette, W.T. Stead, published a series of articles under the
general title, “The Maiden Tribute of Modern Babylon”, in which,
among other things, he asserted that a young girl aged thirteen
could be bought for five pounds. To prove his point, Stead did
actually engage in such a transaction, though without any intention
of claiming his right to molest her. He had a midwife standing by to
check that the girl had not been touched. His campaigning, besides
causing a sensation and selling papers, was designed to attack the
government of the day for not raising the age of consent to sixteen.
The fact that Stead’s reports prompted an outcry against the
government, and that it was revealed that a prominent Tory MP who
had opposed Stead’s call for reform had a close friendship with the
owner of several brothels, seems to have prompted action by the
establishment and Stead was charged with abduction and indecent
assault (the midwife’s examination) and sentenced to three months in
prison. It really does
appear to have been a case of him being victimised for rocking the
boat.
Burke and Hare, the infamous body snatchers who made a living
digging up fresh corpses and selling them to medical schools for
dissection purposes, make an appearance. They weren’t the only ones
involved in this macabre business, though they took it to new depths
of depravity when they made up for a lack of ready-dead people by
murdering a few so they could carry on meeting the demands for
bodies. Carver paints a picture of gangs competing for corpses,
armed guards at cemeteries, and the way in which the medical
establishment turned a blind eye to where the dead came from. And
the law was often reluctant to take action because stopping the body
snatchers could lead to a lack of resources for medical students to
use. Matters were only resolved when it was decided that the
unclaimed bodies of dead prisoners and one-time inhabitants of
workhouses could be used in the interests of research. Some might
argue that it was another example of the poor always being
exploited, even when dead.
And who was the real person behind Dickens’s villain, Fagin? Debate
continues about whether or not his presence in
Oliver Twist added to the
stereotype of a Jew, and so incited anti-semitism. Was the basis for
the character of Fagin a man called Isaac “Ikey” Solomon? He was a
Jewish criminal who is described as being, “one of the most affluent
and successful fences in
The public’s taste for the details of murders continued unabated
throughout the nineteenth century. One that attracted a great deal
of attention was the “Murder in the Red Barn”, the victim being
Maria Marten who was killed in 1827 by her latest lover, William
Corder. She wasn’t the innocent maiden widespread sentiment made her
out to be. But her story became the basis for a popular melodrama
which retained its interest long enough for it to be made into a
film in the 1930s. The villain was played by Tod Slaughter, an actor
who could strut around a stage, or film set, and leer in a suitably
evil manner. He certainly impressed me when I saw the film at a
local flea-pit in the 1940s.
It should be obvious from at least some of my comments that
The 19th Century
Underworld is highly entertaining. That’s perhaps a strange word
to use when writing about a book that deals largely with murder,
mayhem, and misery. But it’s a fact that we like to read about such
matters from a safe distance, sitting in the comforts of our homes
and knowing that nobody we come across
on the page is going to turn up to terrorise us. If people
aren’t fascinated by the crimes of the past why is it that the
obsession with the Jack the Ripper continues to occupy the minds of
film-makers, novelists, social historians, and the people who watch
the films and read the books?
Stephen Carver has written an account that manages to guide the
reader through areas of the nineteenth century underworld in an
easy-to-read manner. He’s done his homework, and there are plenty of
notes, and a useful bibliography. I could say that he largely
explores themes which are mostly well-known, but then it occurs to
me that they may not be to readers unfamiliar with nineteenth
century social history. How many people, apart from some of those
around my age, will have heard of Maria Marten and the Murder in the
Red Barn?
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